All posts by Grace Collins

The tech transforming the 2018 FIFA World Cup

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As the world’s biggest sporting event, attracting an estimated 3.4 billion viewers globally this year, it isn’t surprising that the FIFA World Cup presents an attractive opportunity to showcase the latest and greatest in tech innovations as well as sporting finesse. This year’s Russia-hosted showpiece has been no different.

VAR

The Video Assistant Referee (VAR) has been a hotly contested addition to the technology roster for this year’s World Cup. Simply put, the technology allows referees to refer “game changing situations,” such as penalties, red cards, goals and mistaken player identities, to a video referee who is able to review numerous camera feeds to correct and clarify decisions as well as identify misjudgements.

Despite the relative simplicity of the tech, the uptake has been anything but seamless. Wrong decisions have still been made, crucial camera angles have not always been available and, having only been introduced to professional football in 2017, many referees have little or no experience working with VAR. In spite of this, FIFA has reported that VAR has contributed to 99.3% of refereeing decisions at this year’s World Cup being correct. ‘VARce’ or not, this is one innovation that may well define the 2018 World Cup.

5G

As perhaps the biggest of the tech buzzwords today, it’s unsurprising that 5G has made its way onto the list of impressive technologies being showcased in Russia this summer. Though we’re still a little way off the commercial rollout of 5G, Russian Operator MTS and Megafon, the official communications partner for the World Cup, have been hosting trials of the technology to coincide with the event.

Perhaps most notable, was the partnership between MTS and global network infrastructure provider Ericsson, to deploy Europe’s largest Massive MIMO (an advanced mobile technology) and install 5G-capable radio equipment across more than 40 sites across the host cities to facilitate better connectivity across stadiums, fan zones and transport hubs.

4K UHD Video

With billions of viewers tuning in around the world, each World Cup tends to coincide with the unveiling of new broadcast technology. In 2014 it was the trials for 4K video; this year, the World Cup has provided a platform for 4K Ultra High Definition (UHD) video.

Available to viewers with compatible TV sets, the technology boasts four times the level of detail in terms of picture clarity with enough pixels to fill four full HD 1080p screens – 8,294,200 to be exact.

Championing the cause for the UK, the BBC has made 4K UHD video feed available to stream via iPlayer. However, with this tech still in its infancy and streaming capacity limited to only tens of thousands of the millions of UK viewers, we may have to wait a few more years before we can tune in en masse to share the experience.

This week’s semi-finals are looming and with technology equipping supporters to watch the games almost anywhere – be it on a connected device waiting for the tube or with 200+ fans in one of London’s busy bars – the widespread excitement is perhaps more tangible now than for any World Cup previous. Fuelling the enthusiasm, social media delivers a continuous flow of news and commentary to our handsets and invites even the more reticent amongst us to engage and take part.

The final games are yet to be played and the scores to be determined, but perhaps the greatest win for the 2018 World Cup will be for the technology that has cultivated this football culture.

Celebrating 20 years of technology – how streaming galvanized the music industry

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As we continue our blog series celebrating the transformative technology innovations of the last 20 years, we wanted to showcase the disruptive technology that has permeated the music industry – streaming.

Even as I write this I’m conscious of the fact that the music surrounding me is being streamed through an app on my smart phone, which is wirelessly connected via Bluetooth to a speaker a few feet away. But go back 20, 30, or 40 years and beyond and the picture was vastly different.

Throughout its evolution, music has had a vast array of physical incarnations, from the phonograph in 1877 to the iconic vinyl long-play records of the mid-20th century and latterly compact discs. Directly following the likes of Napster and its popular music sharing platform, it was in the early 2000s that a number of music startups began to emerge that would drastically change things.

United by a common vision and fuelled by the advent of the internet, these forerunners wanted to leverage the potential of modern technology to galvanize the music industry. From giving artists more control of distributing their content to improving the music listening experience for consumers.

Two of the earliest pioneers of this included Last.fm, which launched in 2002 and deemed itself ‘the social music revolution,’ preceding many others in its use of algorithms that analysed user data to intelligently recommend new music to its users. Then there was Pandora, launching three years later, which became the forerunner of the ‘freemium model,’ a platform that offered users unlimited free streaming with intermittent adverts.

Fast-forward another decade or so and Spotify, a Swedish-based media streaming service launched in October 2008, is leading the musical revolution. With a global subscriber base of 70 million, a user base of 140 million, and a 320kbps stream rate, Spotify is outstripping market competitors including Apple Music and Amazon Music Unlimited.

With music platforms such as these offering slick, fast and intuitive streaming technology, music is more accessible than it has ever been. In 2017, the BPI, reported the sharpest incline in music consumption since the 1990s in the UK, with music streaming accounting for over half of the total music consumption.

Though, with every revolution comes a rebellion. Whilst the masses continue to opt for the convenience of music streaming platforms, there remain a staunch few that will continue to cling to the reminiscence of a record, or perhaps one day, a CD.

Whatever its evolution or tangible form, music will always be a cherished art form. But with today’s burgeoning consumer demand, there has never been a better time to embrace the potential of modern music technology.

The Age of Algorithms

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There is no doubt that living in the Age of the Algorithm has transformed the way we make decisions. Mechanisation has saved the world time, money, and (in the case of the emergency services) even lives. In addition, there are obvious business and marketing advantages to using intelligent technology that claims to “personalise” our online experience and helps us find what we’re looking for. But are we at risk of letting the use of algorithms and ‘big data’ shape our decision-making, and influence our individuality?

In the late 1990s, book editors for Amazon were writing hundreds of reviews for the increasing number of books being published annually. With demand on staff increasing, Greg Linden, an engineer at the online retailer, used correlation data for products that were often bought together by consumers to create automatic recommendations. Ironically, whilst the algorithms used had the effect of creating a “personal” recommendation, in reality they were not linked in any way with the individual’s purchasing history, and so were devoid of anything classically categorised as personal. In spite of this, the effect this has had on sales since is undeniable, with estimates showing that currently a third of Amazon’s sales arise from these mechanised recommendations.

More recently, Facebook, a company that’s growth is due in part to its complex use of big data, has continued its global domination and grossed almost $6 billion in the first three quarters of 2016. Even more incredible is its 1.79 billion monthly active users, which make Facebook (a company claiming it isn’t in fact a media company) the most powerful media organisation in history. Scarily, Facebook’s “walled garden” approach to news feeds, paired with its goal to “deliver the right content to the right people at the right time” using controversially secret algorithms, means that our exposure to information is being restricted, albeit by the mechanised mirroring of our own choices.

It seems fair to surmise that the use of algorithms online can be a double-edged sword. No consumer can deny the convenience of such appropriate and tailored suggestions, nor is the effect that they have had on streamlining online services and augmenting profitability in business in question. However, at a point where big data weaves itself almost inextricably through facets of society people are beginning to ask themselves whether they really know what they’re looking for, and wondering how accurate these online assumptions can be. It seems that, as a result, in the midst of this Age of Algorithms, human sensibilities are still in demand.